Posted: 17 Apr 2010 02:00 PM PDT
Clay and his partner of 20 years, Harold, lived in California. Clay and Harold made diligent efforts to protect their legal rights, and had their legal paperwork in place–wills, powers of attorney, and medical directives, all naming each other. Harold was 88 years old and in frail medical condition, but still living at home with Clay, 77, who was in good health.
One evening, Harold fell down the front steps of their home and was taken to the hospital. Based on their medical directives alone, Clay should have been consulted in Harold’s care from the first moment. Tragically, county and health care workers instead refused to allow Clay to see Harold in the hospital. The county then ultimately went one step further by isolating the couple from each other, placing the men in separate nursing homes.
Ignoring Clay’s significant role in Harold’s life, the county continued to treat Harold like he had no family and went to court seeking the power to make financial decisions on his behalf. Outrageously, the county represented to the judge that Clay was merely Harold’s “roommate.” The court denied their efforts, but did grant the county limited access to one of Harold’s bank accounts to pay for his care.
What happened next is even more chilling.
Continue reading “Sonoma County CA separates elderly gay couple and sells their home”…
According to Winnipeg filmmaker Noam Gonick, Pride is becoming a “military parade” that glorifies fascist imagery of cops, conformity and corporatization. And this summer, he’s taking his message — and a short film on the subject — to Pride events in Vancouver and London, England.
It all started last year, when Pride Toronto organizers asked Gonick to make a one-minute film on the subject of human rights, to be broadcast on big screens at the 2008 event.
His mind turned to the subject of military torture at Abu Ghraib and Guantanamo Bay. In particular, how men use hoods, electrocution, wires and even watersports (in the form of waterboarding) to degrade other men. The military, says Gonick, “uses homoerotic, aggressive acts to harm victims and act as a contagion to society in general.”
And, he says, it turns us on. “Conquest is not only about territory, or oil, or puppet dictatorships,” he says. “It’s sexual, too.”
Gonick’s first challenge was to think of a way to catch the attention of Pride-goers. “It’s hard to compete with the beautiful people and the floats and the nudity,” he says.
He turned to the University of British Columbia’s football team for help. Gonick asked the Thunderbirds to imitate waterboarding techniques on each other, with players’ faces covered in rainbow-coloured underwear. They also performed hazing rituals.
“I didn’t even have to direct them,” the filmmaker says. “It took off on its own.”
Gonick and animator Dennis Tam edited the football player footage with graphic text ‘scorecards’ recalling military dictators like Adolf Hitler and Augusto Pinochet. He also gave his film a name: No Safe Words. In SM culture, a safe word is what a slave says to a master to force them to stop. “In human rights abuses,” says Gonick, “there are no safe words.”
Finally, Gonick jetted off to Toronto Pride to watch his work on the big screens. “I’ve always been a bit scared of the crowd,” he says, “so I wanted to ask the crowd to question itself. I was hoping my work would shock people out of their Pride reverie for one minute.”
Instead, Gonick was the one who was in for a shock.
He watched in fascination as more than a dozen police cars blazed through the parade, with sirens blaring and crowds cheering. Firefighters turned their hoses on the masses, and the big story of the day was the arrival of Canada’s Armed Forces, as recruiters and marchers.
Gonick found the display “chilling.” Considering the police’s checkered history with the queer community, including bathhouse and sex club raids, as well as arrests at Pride itself, Gonick says, “I can’t think of a more perfect example of co-optation than police presence at Pride.”
He was also disturbed by the conformity of the crowd, particularly in the way parade-goers were dressed. “Instead of going against the flow,” says Gonick, “Pride was going with the flow.”
This year, London, England’s Sketch Gallery has asked Gonick to screen a longer version of his project during that city’s Pride week in July. He’s re-editing No Safe Words to include images of soldiers and police at Toronto Pride, as well as muscle daddies with bank logos. In August, he’ll take the same director’s cut to Vancouver’s VIVO Media Arts Centre.
With the new footage, Gonick feels the focus of his film is even clearer. “It’s about us and who we’ve become,” he says. “We’re willing to do anything to get the approval of the state.”
Read the rest here at xtra.ca
Watch the clip that was broadcast at Pride Toronto 2008 (a new, extended version will be shown at London, England’s Pride in July, and at Vancouver’s VIVO Media Arts Centre in August):
While you’re here, here is another short film from Noam Gonick, called Wildflowers of Manitoba:
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It’s a rainy Monday and I am crouched in the corner of Jet Set Men’s modest one-room studio in North Hollywood, Calif. I’m careful not to make a sound because Kyle, one of the two models in this scene, has been trying, and failing, to climax for 20 minutes. Kyle stares at a portable DVD player — concealed offstage — for inspiration.
The camera is on standby. Kyle’s costar, Tyler Saint, gently caresses Kyle’s forehead and whispers inaudible words of encouragement — in stark contrast to the last 45 minutes, during which Tyler’s demeanor was more maniacally commanding.
“How about a different lube?” suggests director John Tegan. Kyle politely refuses. Tegan leans over to me and whispers, “Once I had a guy take four hours.” I sink back into the couch, thinking that if we’re going to be here for another three hours, I may need a sandwich.
Kyle motions that he is nearly ready to resume filming, reassuming his previous position on a stack of tires. Tyler seamlessly slips back into character as the angry rapist, and Tegan calls out “action.” Moments later the scene has wrapped. I’m more relieved than Kyle.
I compliment Ross Cannon, the cameraman, on expertly maneuvering the high-definition camera in one hand while operating a plastic dome light in the other. He smiles proudly. “Oh, that’s the C light. Without it, you miss all the good stuff. It’s normally much bigger and heavier, but you need to hire another guy to work it. I found this one at a church bazaar — works great.”
Chris Steele, head of production for Jet Set Men, explains, “We’ve had to adapt in order to continue shooting high production value on a budget that can still turn a profit. Everybody on the crew has learned to adjust. If we don’t, we’re sure to go broke.”
Steele and his Jet Set Men aren’t alone. There are very few businesses in the world that aren’t performing somersaults in an effort to survive today’s economic tumult. But Jet Set and others in the adult industry are facing a double whammy: the worst recession in decades coupled with nothing less than a tectonic shift in the way people are consuming their products. Much as Napster did to the record industry 10 years ago, websites like XTube are shaking traditional porn businesses to their core. And now an industry that is perhaps best known for going for broke could go, well, broke.
In January, Larry Flynt asked Congress for a $5 billion bailout to help “rejuvenate the sexual appetite of America.” But it’s unrealistic to expect that the government will rush to save porn companies in the same way it’s done for the auto and financial industries — after all, pornography is something that is seldom spoken of in polite society, something that’s hidden in a closet or under the bed. But it’s equally unrealistic to expect that the failure of the gay porn industry — a business model that has employed so many, entertained so many more, and donated millions of dollars to gay rights and HIV organizations — won’t change life as we know it.
Recession-Proof?
If there’s one thing that’s always comforted people in the porn biz, it’s that, good times or bad, sin sells. Americans, they say, have traditionally been more willing to cut back their spending on just about anything — other than cigarettes, alcohol, and pornography. Phil Harvey, the 71-year-old cofounder of Adam & Eve, one the largest erotica retail companies in the world, dusted off this conventional wisdom recently in an address to the annual XBiz State of the Industry Conference in Woodland Hills, Calif. “As far as I can tell,” he said, “over a period of some 35 years, we’re recession-proof…. Our sales, while not booming, don’t appear to have been impacted by the downturn in the economy at all.”
But Harvey’s words did little to calm the nerves of some of the giants in the gay porn industry. “The recession is very noticeable and is cutting into sales,” says Chi Chi LaRue, drag queen, porn director, and owner of Channel 1 Releasing. “Anybody who says it’s not is either not telling the truth or is not smart enough to see it.” Adds Michael Lucas, director, performer, and CEO of Lucas Entertainment: “I don’t know what Mr. Harvey is smoking. People in the adult world often like to flex their muscles and speak with wishful thinking, even when it’s absolutely ridiculous.”
Depending on whom you talk to, DVD sales are down by between 25% and 45%. Model fees have been cut by about 20%. Several webmasters report that February was the worst month for new memberships — ever. And the credit crunch has made it more difficult than ever to retain those Web-based customers. “Declined credit cards on recurring billings have increased from one or two per week to seven to 10 per day,” says Alex Sulaco, owner of ManifestMen.com. Ten declined cards a day at a $30 membership level comes out to nearly $10,000 a month in losses.
Midsize studio PZP Productions announced in February that it was suspending production for the rest of the year. “The recession is strangling us,” explains owner Peter Z. Pan. “A lot of little companies are going out of business. I’m just barely hanging on. If I don’t produce any new content [now], and if the economy begins to turn around in a few months, I think I can survive. And that’s because I have very little overhead. Other small companies will just disappear.”
From the File of Things That Really Shouldn’t Surprise Anyone Who’s Been Paying Attention to American Culture, we have this:
A new nationwide study of anonymised credit-card receipts from a major online adult entertainment provider finds little variation in consumption between states.
“When it comes to adult entertainment, it seems people are more the same than different,” says Benjamin Edelman at Harvard Business School.
However, there are some trends to be seen in the data. Those states that do consume the most porn tend to be more conservative and religious than states with lower levels of consumption, the study finds.
“Some of the people who are most outraged turn out to be consumers of the very things they claimed to be outraged by,” Edelman says.
It turns out that Utah is the nation’s leading consumer of broadband pornography. (the great Republican deep in the bible-belt state of Mississippi is second!)